Best Of 2017: Albums Through February

Written by | March 6, 2017 4:53 | one response

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Prisoner – Ryan Adams – Classic rock meets singer songwriter Geffen style on Adams dissection of the emotional devastation leading to divorce

Freedom Highway – Rhiannon Giddens – Story songs of slavery and its aftermath that peaks sky high and never falters, it moves through the blck experience with its eye firmly on the prize of ebony Americana

HNDRXX – Future – In which Future discovers he has the skills to perform r&b and The Weeknd and Rihanna are the icing on the cake.

Windy City – Alison Krauss – She hasn’t released a solo country album this century so these covers of country nuggets would be welcome anyway. But it is more than welcome because it is Moondog Matinee obscure and yet if you love this stuff you’ll love it maybe as much as I do

Gang Signs & Prayers – Stormzy – Stormzy has been pushing this like the second coming, he said to the Guardian: “The main thing with me is my young black kings and  this ain’t to ostracise young black women or old white men, or Asians, it’s not to ostracise anyone, it’s just to say, ‘OK, young black men in my country, when it comes to who is going to achieve, you are always the very last.’ So I need to talk to my young black kings, because I’m one of you, we who are always last. ”The album opens with a declaration of selfhood: “I ain’t never been a victim, never been a  target.” And then the album works a middle ground

Godfather – Wiley – “I know what I’m like and I know what I’m not like”, the Godfather of grime warns early, and here the London legend has a flow equal to all but the best of his US counterparts: the samples are minimal, the beats irresistible, and the rhymes overpowering. This is his 11th album… also it may be his best, and his others were great, and, astoundingly, he initially refused to release it

I Decided – Big Sean – In which Big Sean looks back (again) and forward (surprise), solipsistic sure but what he knows he shares, same as ever. And “Bounce Back” is a great single that should have done better.

Future – Future – Vastly superior on record than on stage, these seventeen outstanding tracks find him shoplifting, cooking crack, and making money on the would be autobiography that cuts the difference between trap and goth nightmare tracks. As always, it’s the voice, one of the top five around, sells it from one end to the other

Deadbeats Compilation Volume 1 – Various Artists – Very impressive all beats and electronica all the time from the EDM label headed by Zed, including the Dead one himself , who is no better than Pusher and Kid Froopy -who opens the album somewhere entirely

Savage Times – Hanni El Khatib – The enemy of Trump nation, a half Mexican, half Palestinian guitarist, gets his world music garage rock pop side on with this constantly smart rock album,. A coupla more tracks tracking the line between us and them as strong as “Gonna Die Alone” -a monolithic pop track waiting on a rap verse, and he could well crossover as he compiles his last handful of EPs in one place

The Chief – Jidenna – The Nigerian soul man broke through with “Classic Man” a coupla years ago and when I saw him live he was holding his own and then some between Vince Staples and Future. On his first album, he is a classy classic man with sure the usual but also a sort of disquiet dignity unlike his contemporaries. This has excellent r&b songs and hard hitting flows that sounds like nothing else in hip hop today

Double Parked – Luxuriant Sedans – Flawless blues rockers like the last 40 years never happened. Imagine the Fabulous Thunderbirds shooting black jack shots in a blue collar bar. Got it? This is the band playing in the backroom

Heart Of Love – Phoebe Legere – The cabaret alt star of your dreams goes honky tonkin’ on this terrific set of original weirdness

Apocalipstick – Cherry Glazerr – For an album to be as good as this title, Apocalipstick, it better be pretty good and for a song to be as good as this title “Told You I’d Be With The Boys”, it is gonna have to rock as hard as the Stones (if Mick Jagger was a girl), and it is both. Meet Clementine Creevy -a superb songwriter with a good garage pop band

The Trigger Complex – T.S.O.L. – The early LA punks 11th album is as good as punk gets: hard, sweet, smart rocker after another and really, what else do you need?

Intoxicated Women – Mick Harvey – In which Bad Seed Mick continues translating bad ass Serge Gainsbourg into English, except for Je T’aime… Moi Non Plus” which he translates into German

Culture – Migos – The click clack of trap and an attitude wearying in its nastiness. But really, it ends up addictive (you probably notice how good “Bad And Bougee” sounds right now) and it is absolutely the sound of today and the best at it.

Live In Paris – Sleater-Kinney – I saw em on this tour and they sucked though that was due to the venue. This live one isn’t bad at all, I wish I’d seen it. Plus, from “I Wanna Be Your Joey Ramone” to “Dig Me Out”, they take care of us old timers

Mr. Misunderstood On The Rocks: Live And (Mostly) Unplugged – Eric Church – The only problem with this 32 minute EP from November 2016 (though new to streaming) is that it may mean we will miss a live album from his current three hour show. Still, that opening track is very very good

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One Response to “Best Of 2017: Albums Through February”

  1. Jared Klein

    Phoebe Legere’s “Heart of Love” cd is my favorite album of the year. This singer-songwriter musician knows how to write a hook-laden tune with a magnificent bridge. Phoebe is speaking to the people with this one and we are listening and loving it.

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