Best Of 2017: Albums Through March

Written by | April 1, 2017 4:52 | No Comments

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÷ (Divide) – Ed Sheeran – This is his FutureSex/LoveSounds moment, an undeniable pop triumph from EDM to Irish jigs, Motown soul to big pop ballads, Sheeran wrote or co-wrote every song and the only other hand I can clearly see is son of Derry Johnny McDaid. The only pop masterwork of 2017 with a chance in hell of bettering it is the upcoming Taylor Swift. But this is the best pop record since 1989,  a flawless pop stroke that puts Sheeran at the top of the pop firmament

A Crow Looked At Me – Mount Eerie –  Phil Elverum, reeling from  the death of his wife musician Geneviève Castrée at the age of 35, made an album about it. It opens eleven days  after her death and closes three months after her death and is an accurate vision of grief and mourning. Early, very early, Elverum sings death is not for making art or singing about, and dismisses poetry. So what s it? It is a utilitarian album for use by the stricken

Prisoner – Ryan Adams – Classic rock meets singer songwriter Geffen style on Adams dissection of the emotional devastation leading to divorce

Freedom Highway – Rhiannon Giddens – Story songs of slavery and its aftermath that peaks sky high and never falters, it moves through the blck experience with its eye firmly on the prize of ebony Americana

HNDRXX – Future – In which Future discovers he has the skills to perform r&b and The Weeknd and Rihanna are the icing on the cake.

Windy City – Alison Krauss – She hasn’t released a solo country album this century so these covers of country nuggets would be welcome anyway. But it is more than welcome because it is Moondog Matinee obscure and yet if you love this stuff you’ll love it maybe as much as I do

Gang Signs & Prayers – Stormzy – Stormzy has been pushing this like the second coming, he said to the Guardian: “The main thing with me is my young black kings and  this ain’t to ostracise young black women or old white men, or Asians, it’s not to ostracise anyone, it’s just to say, ‘OK, young black men in my country, when it comes to who is going to achieve, you are always the very last.’ So I need to talk to my young black kings, because I’m one of you, we who are always last. ”The album opens with a declaration of selfhood: “I ain’t never been a victim, never been a  target.” And then the album works a middle ground

Paradise EP – ANOHNI – “I don’t wanna ricochet…”  “Ricochet,” from this strange and disturbingly gorgeous alt by other means EP is a highlight, but it is only a matter of degrees, another vision from a sound that moves from ambient horror to quasi folk mood, all with her terrific voice

Godfather – Wiley – “I know what I’m like and I know what I’m not like”, the Godfather of grime warns early, and here the London legend has a flow equal to all but the best of his US counterparts: the samples are minimal, the beats irresistible, and the rhymes overpowering. This is his 11th album… also it may be his best, and his others were great, and, astoundingly, he initially refused to release it

The Psalms – Jessi Colter – Here is an unwitting guest overview off Allmusic.com: “Jessi Colter recorded The Psalms with Lenny Kaye, the guitarist best known for his collaboration with Patti Smith. The pair became acquainted when Kaye was assisting Colter’s late husband Waylon Jennings in writing his autobiography and, during this time, the writer discovered that the singer would often sit at her piano and improvise melodies to passages from the Book of Psalms. Kaye held two sessions in 2007 and 2008 then spent the next several years augmenting the spare sketches with tastefully chosen musicians.” Astonishingly powerful stuff, this is what Christian music should sound like

I Decided – Big Sean – In which Big Sean looks back (again) and forward (surprise), solipsistic sure but what he knows he shares, same as ever. And “Bounce Back” is a great single that should have done better.

Bless Up – Shinobi Ninja – There was a time when Shinobi Ninja were AC/DC for a new century, they did what they did, funk rock, they did it exceedingly well, and then they did it again. But that was some eight years ago, and Bless Up is a wide ranging soundscape that includes everything from rap to Americana, mood psychedelic garage and folk in wolves clothing. An exceedingly enjoyable return not to form (the worse you even say about the Ninjas is that they’re better live) but on what amounts to their tenth album, a doubling down on their skills and charm as they emerge from their unique sound with a new set of skills

We All Want The Same things – Craig Finn – More songs about low lifes in the Twin Cities, except this may be as good a solo album as Finn has ever recorded. While there is no “Honolulu Blues” or “Balcony,” still much more than on the spotty Faith In The Future,  he narrows his vision and sharpens his songs

Future – Future – Vastly superior on record than on stage, these seventeen outstanding tracks find him shoplifting, cooking crack, and making money on the would be autobiography that cuts the difference between trap and goth nightmare tracks. As always, it’s the voice, one of the top five around, sells it from one end to the other

Deadbeats Compilation Volume 1 – Various Artists – Very impressive all beats and electronica all the time from the EDM label headed by Zed, including the Dead one himself , who is no better than Pusher and Kid Froopy -who opens the album somewhere entirely

The Navigator – Hurray For The Riff Raff -Alynda Segarra – The former poster child for superior Americana delves into her Puerto Rican heritage, though despite the title track it sounds much the same and just as good. As protest music goes, I’ll certainly take it. “Living In The City” needs no such caveat and “Pa’lante” is big time artistry, “I just want to fall in love and not fuck it up and feel something,” she claims. Can I get an Amen?

Savage Times – Hanni El Khatib – The enemy of Trump nation, a half Mexican, half Palestinian guitarist, gets his world music garage rock pop side on with this constantly smart rock album,. A coupla more tracks tracking the line between us and them as strong as “Gonna Die Alone” -a monolithic pop track waiting on a rap verse, and he could well crossover as he compiles his last handful of EPs in one place

The Chief – Jidenna – The Nigerian soul man broke through with “Classic Man” a coupla years ago and when I saw him live he was holding his own and then some between Vince Staples and Future. On his first album, he is a classy classic man with sure the usual but also a sort of disquiet dignity unlike his contemporaries. This has excellent r&b songs and hard hitting flows that sounds like nothing else in hip hop today

Double Parked – Luxuriant Sedans – Flawless blues rockers like the last 40 years never happened. Imagine the Fabulous Thunderbirds shooting black jack shots in a blue collar bar. Got it? This is the band playing in the backroom

Heart Of Love – Phoebe Legere – The cabaret alt star of your dreams goes honky tonkin’ on this terrific set of original weirdness

Tremaine The Album – Trey Songz – It’s a Christmas miracle, Trey makes a good album. The r&b singer with the abs who puts the pussy in pussy, has recorded a fine collection of ear tingling straight up, emotive, soul. I am shocked… start with “#1 Fan”. ps I hated all the singles at the time, only now I love em in context…

Apocalipstick – Cherry Glazerr – For an album to be as good as this title, Apocalipstick, it better be pretty good and for a song to be as good as this title “Told You I’d Be With The Boys”, it is gonna have to rock as hard as the Stones (if Mick Jagger was a girl), and it is both. Meet Clementine Creevy -a superb songwriter with a good garage pop band

The Trigger Complex – T.S.O.L. – The early LA punks 11th album is as good as punk gets: hard, sweet, smart rocker after another and really, what else do you need?

Intoxicated Women – Mick Harvey – In which Bad Seed Mick continues translating bad ass Serge Gainsbourg into English, except for Je T’aime… Moi Non Plus” which he translates into German

Culture – Migos – The click clack of trap and an attitude wearying in its nastiness. But really, it ends up addictive (you probably notice how good “Bad And Bougee” sounds right now) and it is absolutely the sound of today and the best at it.

Live In Paris – Sleater-Kinney – I saw em on this tour and they sucked though that was due to the venue. This live one isn’t bad at all, I wish I’d seen it. Plus, from “I Wanna Be Your Joey Ramone” to “Dig Me Out”, they take care of us old timers

Mr. Misunderstood On The Rocks: Live And (Mostly) Unplugged – Eric Church – The only problem with this 32 minute EP from November 2016 (though new to streaming) is that it may mean we will miss a live album from his current three hour show. Still, that opening track is very very good

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