The Icarus Line frontman rides hardship like a tragic hero
Posts Categorized: Music At Theatre
‘Donuts’ actually includes all the reasons why you love Mogwai
the documentary highlights his incredible resilience
I know the feeling too well.
plays with our myths and intertwines then with today’s most crucial questions and stakes
the name isn’t the thing – it’s the play.
a narrative feature film about the LA freak out rock and roll group
described as one of the most influential American punk bands
The film has the look of a rock ’n’ roll thriller noir
a dancing love letter to the Beatles and their music
‘this is the coolest thing I have ever been part of’
‘There’s a lot of more air these days’
‘he’s got a personal photographer, so he must be a big deal’
Tom’s son has made a movie about the Eagles of Death Metal and the tragedy
It has a huge heart attached to the past
Imagine a shirtless Iggy on the stage of the Kodak theater?
It’s a haunting film
Probably lacks danger
it’s like having another Nick Cave and the Bad Seeds album
‘The FACTS are simply jaw dropping.’
‘This thing is so big, you can’t even get your arms around it’
In 1973, Bowie was bored with Ziggy while people couldn’t get enough of the gender-bender act
Gilroy has turned over hours of video and stacks of letters and photos to director Guy Guido
‘But what happens when an event occurs that is so catastrophic, that we just change’
‘Supersonic’ will follow Oasis’ success, breakup and aftermath
The Melvins are an impressively prolific band with a catalogue larger than those of the Rolling Stones or U2
it is impossible not to feel affection and pity for the poor woman
‘Yes, the band all wants to be rock stars, but they all have very different visions in how that will be accomplished’
it will ‘be shot in black and white, color and 3-D’
Elsa, you’re coming to Broadway!
Iggy Pop as an aging and half-blind rock star living with his sexually promiscuous young wife
A project described as a movie which ‘goes in search of the forces that made and then destroyed the singer’
‘With the federal narcotics badge, he [believed he] could legally enter any country both wearing guns and carrying any drugs he wished.’
Ten years ago, I saw ‘The Devil and Daniel Johnston’, a documentary about the manic depressive singer songwriter, and it was hard and painful to watch, as madness is always very disarming and cruel. This new short film, directed by Gabriel Sunday, chronicles the imaginary meeting between the Daniel Johnston of 2015 and his younger self in 1983, when he was making his album ‘Hi, How Are You’.
I understand why Colin Hanks (Tom’s son by the way) wanted to tell the story of a guy who started selling records out of his father’s drug store, to become an American retail powerhouse. It’s a success story with a big heart, Solomon was at the right place at the right time as someone says in the movie, and eventually he saw the end of his adventure, but doesn’t show an ounce of bitterness.
You may wonder why Gutterdämmerung is advertised as the loudest silent movie on earth, since a cast like this one is sure to bring lots of decibels to the soundtrack, but the concept of the movie borrows to the tradition of classic movies of 1920’s Hollywood: the film is mostly silent but instead of a piano accompanying the screening, a rock band will perform live.
Rollins is really excellent in the role of this dark character, flesh-eating vampire, suddenly turned superhero despite his beastie tendencies. He is extremely strong even invincible, and has taken more bullets in his body than he can count, but he plays Jack with a lot of ambiguities, in the sense that he is never the bad or the good guy, he coldly kills and eats humans but saves his daughter.
Jack’s routine of bingo and cannibalism is severely hampered when his past returns to haunt him as Andrea is kidnapped by men intent on killing him. With a history of murder to reference, Jack heads out on a bloody rampage of revenge and redemption. Rollins’ force-of-nature performance in a rare leading role is a weird and wonderful joy to watch.’
It is very difficult to speak about your own art, most artists avoid it, but if you are going to make a movie about it, wouldn’t be nice to learn a bit of something? I am not talking about an overanalyze of lyrics or music, but there must be some middle ground between an old VH1 documentary, ‘the making of’ type they were showing in the 90’s, and this series of impressionistic clips, with occasional voices off camera mentioning vague philosophical references.
The film is set in 1970’s London and is apparently not a biopic as it rather follows a young boy ‘whose life changes dramatically when his estranged mother (played by Natasha McElhone who played Karen in ‘Californication’) introduces him to the music of The Clash’, by sending him a cassette of “White Riot.”
Cobain’s death was ruled a suicide by the Seattle Police Department shortly after his body was found, but 21 years later, suspicions and theories around the events leading to his death have never been more alive, and a long series of inconsistencies, oddities and plain weirdness (including taped phone conversations with Courtney Love) have let Tom Grant to continue his investigation about the case till this day
We want a high spirit very musical romp, not this downcasted miserable look at lives wasted. It is, in fact, a big time bummer. As star vehicles go, why are we watching “The Threepenny Opera”. Sure, it is better than every musical since “Passion” but it is still a downer experience. Did they really drag all these octogenarians out of their beds to tell them this?
I was with a friend who is an Elliott Smith outsider as she said, and I would say that the movie works very well for people like her. It introduces them to Elliott’s beautiful music and charming character, someone who just wanted to write songs and record them, someone who was living for his art
Prior to anyone seeing this film, the ‘Holocaust deniers,’ as I like to refer to them, started writing conspiracy theories about my movie,’ he said. ‘Now this is before anyone’s seen a frame
Victor Hugo’s “Les Miserable” is one of the greatest novels of all time, the first chapter, the story of Bishop Myriel, is worth Dr Zhivago movie and musical and Les Miz movie and musical combined to infinity. There is no comparing Hugo’s genius to three hacks and a great movie director (David Lean).
The movie, directed by A.M. Bushe, is in black and white, and even features grainy shaky super 8 footages. It also features in-depth interviews, performances, and commentary from many career musicians including Ben Smith (Heart), Andrew Joslyn (Macklemore & Ryan Lewis), Danny T. Levin (Vampire Weekend, Julian Casablancas), David Moyer (U2, Snoop Dogg, Tears for Fears, Broken Bells)
I am talking about a period way before the digital age, where information was not available as it is now,… I got the chance to see the Los Angeles premiere of ‘The Wrecking Crew’ at Sonos Studios last Wednesday night, and I got the revelation: Hundreds of hit records of the 60s were recorded using the same collective of Los Angeles musicians
The myth of the D.C. Straight Edge is another thing the movie should clear up, it just started as a reaction against venues with age restrictions due to alcohol consumption, and punk teenagers just wanted teenagers to be able to attend gigs. Despite the fact that MacKaye has never wanted to be a movement (that would have been very un-punk) the term has pursued him to this day, to his greatest aggravation.
This time it is Brian Wilson’s turn, played by the brilliant Paul Dano. I like this guy so this upcoming movie can’t be a total mess right? ‘Love & Mercy’, directed by Bill Pohlad (‘The Tree of Life’) from a script by Oren Moverman and Michael Alan Lerner, will be released on June 5th in a theater near you. The movie, which narrates the career of the Beach Boys and their rise to the top of the world of rock & roll, has a new trailer