Artists

Upcoming

Recent Posts

Sep 22 BEDROCKtoberfest Curated By Yeah Yeah Yeahs’ Nick Zinner, Saturday September 20th 2014
Bedrock-LA is like Disneyland for musicians, a giant 40,000 square feet music-service facility, located in the heart of Echo Park. And Bedrock has its fest, Bedrocktoberfest, which is a bit premature since we are still in September, but they probably wanted a good reason to sell good German beer
Posted 22 September 2014 by Alyson Camus  Add comment
Sep 22 ’24 Karat Gold’, A Stevie Nicks’ Personal Collection Of Polaroids Selfies
The self-portraits, which were taken with Polaroid cameras between 1975 and 1987, were selected by Eurythmics’ Dave Stewart, whereas the exhibit will conveniently coincide with the release of her album ’24 Karat Gold: Songs From the Vault’, consisting of songs she wrote between 1969 and 1987
Posted 22 September 2014 by Alyson Camus  Add comment
Sep 22 Taylor Swift Vs Every Celebrity In The World
I stole this off Popdust here so if you wanna see the original go there but if you wanna stay here, I’ve simplified it and sneered at all the right places just for you. Plus, in my world young Tay tay can do no wrong so, guess what? It’s all everyone elses fault. Oh and I graded em because that’s what we do.
Posted 22 September 2014 by Iman Lababedi  Add comment
Sep 22 With The Iggy Azalea Gig On Friday, Here Is The Setlist Spotified
the exciting young Australian rapper who ruled the summer with two smash songs, “Fancy” and “Problems” and then “Black Widow” bringing up the rear. Meanwhile her debut album The New Classic might not be the revelation her debut EP, 2011′s excellent Ignorant Art, hey she will be playing songs from both on Friday.
Posted 22 September 2014 by Iman Lababedi  Add comment
Sep 22 Medium Cool: The Week In Talk Show Hosts 9-22-14
I haven’t been to Las Vegas since 1975 so maybe next year I should do it. I wanna see the Beatles “Love”, Britney’s solo show and this the second Michael Jackson-Cirque De Soliel collaboration. I skipped the first show when it played MSG and I kinda regret it. On Letterman on Thursday I can take a a look at # 2.
Posted 22 September 2014 by Iman Lababedi  Add comment
Sep 22 UK Top 10 Singles 9-27-14
Bass and drums, bass and drums, certainly you cant throw a brick without hitting bass and drums. The first four tracks are interchangeable, EDM plus pro vocals. Now that the UK hasn’t broken up, maybe they should start on making their charts work.
Posted 22 September 2014 by Iman Lababedi  Add comment
Sep 22 UK Top 10 Albums 9-27-14
Yuck. The Script is awful and their album cover is worse, Babs is just as bad, Catfish & The Bottlemen are predictable UK rockers, and only Chris Brown is both new and good and, well, he is Chris Brown. You need a shower after listening to him.
Posted 22 September 2014 by Iman Lababedi  Add comment
Sep 22 10 Songs: Monday, September 22nd, 2014
Love Me Tender – Barbra Streisand, Elvis Presley – Awful act of necromancy, almost astounding in its lack of chemistry and sexiness and cool and warmth, uncool to an extent not knowable to the average person. Worst song ever – F
Posted 22 September 2014 by Iman Lababedi  Add comment
Sep 21 “Turn it Up”: I Tip My Hat To Lynyrd Skynyrd
Yes, I may be in Sabbatical but it doesn’t mean I have nothing to say. Gather round kids and let me tell you how it took a pretty intelligent girl 40 years to realize that Southern Rock ain’t so dang bad.
Posted 21 September 2014 by Helen Bach  Add comment
Sep 21 Haim’s Body-Shaped New Vinyl For ‘My Song 5′
I give you this, they are young girls and cute, and this is why we get this new vinyl of their track ‘My Song 5’, shaped like Alana Haim’s derriere, with her legs and arms sticking out of the vinyl’s edges. Why? Did fans need this? I am certain they will sell out very fast
Posted 21 September 2014 by Alyson Camus  Add comment
Sep 21 Taste Of South Lake Pasadena 2014, A Free Food & Music Festival
It’s Pasadena’s largest culinary celebration, a food festival with free music! 25 restaurants are participating with live cooking demos done by celebrity chefs from 11 am to 2 pm, while some LA and international indie bands are scheduled to play from 11 am to 3 pm… Not a bad way to have your Saturday brunch
Posted 21 September 2014 by Alyson Camus  Add comment
Sep 21 Sneak Peaks: New Album Releases Week of September 22nd, 2014
John Mellencamp hasn’t been around for a long time and Jennifer Hudson is a true soul singer. It is a toss up between Leonard Cohen and Aphex twins, and I am gonna go with Aphex Twin because I am not anticipating Cohen, I’ve listened to it non stop all week.
Posted 21 September 2014 by Iman Lababedi  Add comment
Sep 21 Let’s Active: rock nyc Concert Picks w-o 9-22-14
I had tickets to see No Doubt at Roseland years ago and blew it off to check out Nustrat Ali Khan, not a bad trade off, but it is one I don’t need to make Saturday at Central Park for the Global Citizen Festival where they headline along with the likes of Jay Z, Carrie Underwood, fun., The Roots and Tiesto
Posted 21 September 2014 by Iman Lababedi  Add comment
Sep 21 That Was The Week That Was: September 15th, 2014
Like everybody over a certain age who is obsessed with rock and roll, this was all about the Replacements who failed to disappoint with a career spanning 100 minute set of Mats song. Lorde was pretty damn good as well. Meanwhile, Cat Stevens forced us to pre buy his album or miss out on the presale code.
Posted 21 September 2014 by Iman Lababedi  Add comment
Sep 21 10 Songs: Sunday, September 21st, 2014
Imagine if Jefferson Starship were really, really Jefferson Airplane, and you will get close to this anthem. “This is for the wild ones, this is for the hearts that never quit” Viv sings, and recently signed to Republic Records, it has apparently paid off big – B+
Posted 21 September 2014 by Iman Lababedi  Add comment

Previous Articles

Cliff Richard Gramercy Theater Saturday June 21, 2014 Reviewed
Cliff Richard Gramercy Theater Saturday June 21, 2014 Reviewed
Sir Cliff

Sir Cliff

The difference between Elvis Presley and the English equivalent Cliff Richard, is Presley’s voluptuousness was carnal and Richard’s remains boyish. The result was a a star who was by definition an Elvis disciple yet considered,  Stateside at least, a minor artist. The teenage Cliff  of the  late 1950′s, had a tender lushness about him, girls adored him,  he wasn’t threatening but rather Mickey Rooney meets post-Army Elvis meets Dion . Any thoughts of juvenile delinquency disappeared as hit after hit after hit turned him pop.

Cliff Richard is no minor artist but he is no Elvis either and on stage at Gramercy Theater, Saturday, June 21st both his immense gifts and limitations were clearly on display.

Gifts? Richard has sold over 250 million albums worldwide, and he is the best selling single artist of all time in the UK.  Limitations? He became both a best selling AOR artist in the  70′s and a nostalgia act ever since, no matter how often he dons the Heathcliff cape.

Hawking the Nashville recorded covers album “The Fabulous Rick And Roll Songbook”, his first New York concert in decades  included his early hits, other 50′s hits, and highlights from the 1970′s and between them they amounted to a set, interspersed with an interview, which did what the true greats can do, it overwhelms its weaknesses and makes a strength of them.

The last time I saw Cliff on stage was  in 1963, the last time he performed in the States was 1981, so when Morrissey announced Sir Cliff (sell 200 million records and they’ll Knight you as well) was opening for him, some of us felt Cliff would eclipse the night. Cliff himself was thrilled at the opportunity to introduce his music to a new audience as well as the fans arriving from Australia from England from Canada for this opportunity to see the man in person.

“I didn’t speak to anybody for two days after learning it was canceled.” Cliff told us but slowly a plan emerged and there we were. “It’s a long time since we”ve shared such an intimate space ” he said at the 500 seater Gramercy a week after the Morrissey show was  canceled.

Somethings were necessarily lost. Cliff came to us with only a backup singer Suzie Furlonger, , a programmer and back up Keith Hayman and an interviewer Phil Silverstone,  but it was enough. He looked incredible. Not incredible for a septuagenarian , just incredible. Inches away from him he looks as though he’s 45, every single song he both sang and danced, if his voice is aged I couldn’t tell, he sounded the same as ever gentle, sweet, sharp Cliff.

Watching him hit the stage the years seem to roll away, the first three songs are just about what you want from Sir Cliff. The title track from his 1963 movie “Summer Holiday” followed by the lovely teenie bopper “I Could Easily Fall In Love With You”  and the early stretch “In The Country”. Then a song off his last album “Apron Strings” which fits in nicely. Interviewer Phil Silvers mentioned that Cliff had begun his career as a rocker, become a pop singer and is now balladeer, we started with the rocker.

Speaking of the interview, it was interesting to a degree and very unsentimental but a touch too much of it for my taste. A third of the two hour set was taken up with question and answers.

Speaking of ballads,  a note perfect take on “Miss You Nights” a good song I was not particularly fond of,  morphed into a valued fave with a powerful and moving take.  The other ballads I was less sure of (“We Don”t Talk Anymore”, the sixth song ever played on MTV, was the only time I found myself glancing at my watch) but this was a goodie.

Which leads us directly to set lists and pacing; there isn’t a musician who couldn’t learn how to put together a set list from this show. Early hits followed by later period  hits, followed by newbies astutely placed among favorites, followed by an acoustic set followed by two of his biggest hit.  Sure it was Cliff’s audience ti lose but still that’s the way it is done. Nothing is taken for granted.

This is all fun, well except for “the Twelfth Of Never”, but again it is the earliest stuff  that really is magnetic. Cliff’s first hit, at the age of 17, “Move It” is a real rocker that Marshall Crenshaw (who knows about 50s rock) has covered and is given an excellent take and the two #1 hits in succession, “Living Doll” and “Traveling Light” bring the house down. “The Young Ones” (six weeks at the top of the UK charts) was a huge singalong.

During another interview segment, Cliff  claims Elvis as his greatest influence. He doesn’t say before there was  Elvis there was nothing but he kind of meant it. A solo acoustic “All Shook Up” connected the dots. 

The interviews weren’t  really revealing at all, Cliff remains a guarded cipher, but he was very astute about the business, when Phil tries to claim EDM isn’t real music, Cliff corrects him about as sternly as Cliff can. And when Cliff says he was lucky to have been born in the era of the recorded song he puts his finger on what is missing in 2014. “Bands are not given the support we were” he claimed.

My only real problem with the show was mostly a question of taste, The late 70′s, early 80′s hits that closed the show doesn’t do it for me. The only time Cliff looks silly is the dance to “Devil Woman”.

But I wouldn’t of missed it for anything. Cliff mentioned that Morrissey is still in hospital and wished him well, and would be happy to support him if he tours again. So why leave it to chance?  Still voluptuous, still boyish, come back and play Carnegie Hall, we miss you nights.

Grade: A-