the template from 2013
Posts Tagged: Avicii
“I have too little left for the life of a real person behind the artist.”
Avicii and Calvin Harris are the old face of new dance, but boy are they old faces. This MOR beats stuff has grown beyond tedious and if this was 1989, these two would be the first at the guillotine as privileged pampered arbittors of manufactured crap.
Feeling Good – Avicii – The DJ-Producer continues on his electronic way into the middle of the road with this big brassy record reworking of Nina Simone’s epic track. Produced in league with Volvo, and I bet the commercial is a killer. Still, the entire enterprise is a little heartless, a brassy but minimalist. That’s Audra Mae from “Addicted To You” taking you out – B-
I swear, at first glance I thought they’d misposted last weeks charts by mistake but no, the Avicii, which I quite like, is a new track from an old album. Otherwise, everything is where it was only you are there for your sins
The Days – Avicii – Robbie Williams takesover on lead vocals this time, the track is a colorful little folk pop number, nothing much but catchier as hell and it builds and it builds. Should be huge –at least in the UK – B+
Youtube is a good way to take a peek at the numbers but too time consuming so in our ongoing attempts to teach the world to sing in perfect harmony, here is the chart that dares to ask the musical question…How many streams did you get buddy?
True went too deep into the vocals and became a mainstream pop album and if it was left at that fine, not my cup of tea but what else is new? But it didn’t. Avicii portrayed himself as the second coming and the album couldn’t withstand the scrutiny
Crazy Little Thing called Love – Queen – I am no Queen fan, indeed, i always found them as disreputably shallow purveyors of glam, a somewhat shallow musical idiom at the best of times; but this straight forward little rocker stands out as the closet they ever got to a standard and it hasn’t aged a day – A+
Between the four of them the only direction this is leading is all the way down to zero. And while pop punk is an OK direction for One Direction I guess, it is still a little irrelevant right? As for Madonna, It has been well over a decade since Madonna met William Orbit and actually created
Tuesday for Katy B, right? I can’t wait, this is one of the biggies this year, three years in the making and the buzz has been absolutely humongous. Everything I’ve heard is aces and so here is the question… where is it??? And when is she playing New York?
Can’t say I am too thrilled by this: both You Me At Six and Bombay Bicycle Club are songs for people who have a headache and think a placebo will save them and London Grammar? I keep on thinking I underestimate them till I actually listen to them though Disclsure are certainly raising the bar for breaking bands.
Man, You Me At Six are terrible. I am surprised this moldy unpleasant rock hasn’t broken huge overhere, it is the sort of terribly bad rock songs that middle Americas youth seem to clamor after. Of Mice And Men, who aren’t all that either, are ten times better.
You are getting sleepy, sleepy, close your eyes and snap you’re asleep. The US Charts are as slow as molasses. It takes a miracle to get in but once you are in you are there for months. Like 12 – 14 weeks they mess around the top 10. Only the surprise(ish) appearance of Katy have kept me awae.
Maybe I underestimated the Avicii track, the instrumental bridge is pretty good. I wonder why “Happy” got a second life? That one take video of a woman dancing to it? Maybe??? Otherwise, everything is still place and we wait for the rest of our lives to begin!!
While America slept, somewhere out of sight, “Drunk And In Love” is in t #12 and Miley’s “Adore You” has a new video and here is an easy prediction, they will both spend the next two months on the charts. PS “Adore You” is a terrific song.
This is what David Fricke wrote about this terrible song in Rolling Stone: “”It’s about the seeds of dreams, and U2 play it perfectly: down-to-earth, while looking up.’. The truth is, the lyric, apparently taken from Nelson Mandela’s love letters to one of his wives, is asinine and the track is a Church organ in search of a song and not finding it
The question is: are there enough Eminem fanatics to keep this slim shadiest on songs in the charts? Break it down: 3 hip hop stars, 6 pop stars and a novelty hit.
I am sure I’m not alone in adoring John Newman, just a great disco guy, a grand dance House singer player, more pure talent than Avicii can dream of. Absolutely deserves a # 1 and the only question is will the US fall in line?
Ho hum, the charts are such a bore in 2013, Miley, Katy and Lorde oh my. There has to be more to modern pop than this. This is really kinda sad, it is not that it is terrible, the way the album charts were a couple of weeks ago
If ever a year seemed to be about a scene that was waiting to happen, this would appear to be that year. This time three years ago, the pop scene was exploding at its seams, as was hip hop and indie
If it wasn’t for the fact that Lorde apparently is only 16 years old, you’d be excused for believing Lorde is a 28 year old Disney XD actress playing a 16 year old
Two killer songs here, the new Jessie J and the new to me Ben Pearce. Compare this to the US charts and what do you notice? None of those lousy fake cowboys from Australia and therfore a much much better chart.