“I had achieved everything I set out to do creatively and I was 22 years old.”
Posts Tagged: The Kinks
one of Davies’ “sharpest homoerotic songs.”
‘Where is the poetry?’
An absolute sales disaster
I love it unashamedly
It was among the top five most streamed Kinks songs on Spotify
The audience went wild. Excitement, joy and genuine emotion as that 2 minutes and 14 seconds of one of the greatest rock’n’roll songs of all time blasted out from the stage
nice and smooth
this guy has recorded with about everybody in the music business, from The Rolling Stones to the Who, Bob Dylan, Eric Clapton, Led Zeppelin, the Eagles, The Beatles, the Kinks, the Clash,… basically there is a great chance that the classic song stuck in your head right now, was recorded by Glyn.
The other thing to keep in mind here is the following: since the Kinks digital output has been disastrous and since just about every single album the band have ever made deserves a deluxe version, let’s hope the band start sorting out their past history before they are too late to do it.
I don’t believe the Kinks without Dave is the Kinks, it is something else. Ray might as well get an orchestra again: “Yes, it would. I think it’s all down to the music. If somebody can’t or won’t play, there are other players out there. Mick and I want to do it.”
“Age of Consent,” New Order. Three years after permanent mope Ian Curtis offed himself, New Order effectively established a new post punk sound, sounding a bit like a less attention needy version of the The Cure. An unexpected entry on your “Songs About Jailbait” playlist.
Where Have All The Good Times Gone,” 1965. At the ripe old age of 21, poor rock star Ray is already wondering what’s happened to the worry free lifestyle of his youth. This sounds like a major hit, but was a B-side in 1965, then bombed as a single in 1973 (released after Bowie did his cover on Pin Ups). Is it just me or does the mother figure sound like a cougar?
Stop Your Stobbing – the Kinks – Those background harmonies, Ray’s wife at the time, right, the “oooh ooohs” under “stop it stop it”? I could listen to it forever. It is like Torre giving the ball to Cone for one out in game six of the world series in 2000: Ray wasn’t doing her a favor, he used her for what the song needed – A
The picture is Waterloo Station in the mid 1800 but by the time young ray wrote about it, it was an industrial quagmire, Number One? Crawford had this to say: “Waterloo Sunset,” 1967. The most beautiful song I will ever hear.
My first draft list had 25 entries, but with feedback from experts like Bill Holdship, John Kordosh, Iman Lababedi, Michael Bennett, A.C. Rhodes, and others, the list expanded to 40 and I could have easily included many others (“Powerman,” “Two Sisters,” “God’s Children,” and “Celluloid Heroes” are among the missing)
Fever On The Bayou – Rodney Crowell – What a tinglingly wonderful singalong country swamp song, it rolls off the tongue and snaps like a frog at a flea – A
Timewise it starts in 1964 and ends at Madison Square Garden. For the sake of the play, there are chronological discrepancies, but the artistic licence is used for definite dramatic effect, and to bring things to a full circle. The songs which fit into the action as if they were written for the play Smile are not in Kinks-Time chronological order, but work to further the action or the emotional scenes we are witnessing.
My bet: everything else notwithstanding, I bet they’ll settle their difference and tour. … two miserable old men doing it for the money, perhaps. But it is a lot of money and if they perform “Harry Rag” I will personally flip out.
Given the state of affairs, a tour seems inevitable and I would guess it would be very very good. Talk about a catalog to fall back on, the mind boggles as to what they could provide we Kinks Kultists. My assumption is that Ray is too much of a pro to get into the deep album cuts, we’ll be lucky if we get “Harry Rag”
S.O.S. In Bel Air – Phoenix – The catchiest song off their last album and neither song nor album has lit the world on fire, but that doesn’t mean this catchy electronic pop rock shouldn’t have done better – B+